Host City USA: Ahmedabad

Nancy Neiman

Prof. Nancy Neiman has been a Professor of Politics at Scripps College since 1994. She has won numerous teach, scholarship and community service awards. She has taught a wide range of political economy courses including, Markets and Politics in Latin America, the Power Elite: Surveying the Influence of Business over Public Policy, and Infrastructures of Justice. Prof. Neiman teaches a Political Economy of Food course through which she has organized a number of community engagement projects that bridge theory and practice among which are a social enterprise organized with women who were formerly incarcerated, a program called Plant Justice with students at an alternative high school, and a Meatless Monday program that brings students and women who were formerly incarcerated together to share prepare and share meals and food justice programming. She also teaches Napier intergenerational learning courses and Inside-Out courses inside a local prison. Her most recent book, Markets, Community and Just infrastructures, includes a variety of case studies, including an interfaith coffee cooperative in Uganda, Cuban financial reform, globalization in Juárez Mexico, and the US meatpacking industry, to provide a framework for understanding the conditions under which markets promote or undermine social justice.

Focusing on pastoralist women in Gujarat India, the Fulbright-Nehru project of Prof. Neiman intends to track several key coping strategies and practices during Covid-19 among Gujarati pastoralist communities during the pandemic: the struggle over access to grazing lands and the ability to maintain traditional livelihoods, access to healthcare, navigating women’s traditional roles and their role as leaders, and promoting agrarian citizenship. Using qualitative data analysis gathered from interviews and quantitative ARCGIS survey data tracking pastoralist migratory patterns and community welfare, this project hypothesizes that pastoralist identities in Gujarat support, and are supported by, a broader transformational food sovereignty movement.

Sonali Deliwala

Ms. Sonali Deliwala graduated from the University of Pennsylvania in Spring 2022 with double majors in Political Science and Economics and a minor in Creative Writing. Ms. Deliwala has gained policy research experience through internships at numerous organizations, including the DC Congressional Office of Representative Pramila Jayapal, the Brookings Institution, and the Council on Foreign Relations. She been heavily involved in the Philly-based grassroots organization #VoteThatJawn, working as a Teaching Assistant (for the Academically Based Community Service Course “Writing and Politics,”) a Youth Leader, and a student reporter to get 18-year-olds registered to vote and first-time voters to the polls for the 2018 midterms and 2020 general election. Ms. Deliwala has held various positions in political science and economic research, a Spring 2021 Fellow for Penn’s Program on Public Opinion Research & Election Studies (PORES), a Summer 2021 Fox Fellowship at Brookings, and serving as a research assistant for multiple Penn faculty. She was also awarded the 2019 Terry B. Heled Travel & Research Grant to document the lives of an Adivasi community in her family’s hometown in India as well as the 2020-2021 U.S. Department of Education’s Foreign Language Area Studies (FLAS) Fellowship. Ms. Deliwala is interested in studying rural economic development in South Asia.

Under the Fulbright-Nehru Student Research program, Ms. Deliwala is carrying out the project in the Narmada district of Gujarat, which is heavily populated by Adivasis, primarily the Gujarati-speaking Tavdi and Vasava tribes. This project will ultimately provide a critical case study of how Adivasis in India have been economically impacted by gaining land rights and offer insights into a path of sustainable development for the community.

Nancy Neiman

Prof. Nancy Neiman has been a Professor of Politics at Scripps College since 1994. She has won numerous teach, scholarship and community service awards. She has taught a wide range of political economy courses including, Markets and Politics in Latin America, the Power Elite: Surveying the Influence of Business over Public Policy, and Infrastructures of Justice. Prof. Neiman teaches a Political Economy of Food course through which she has organized a number of community engagement projects that bridge theory and practice among which are a social enterprise organized with women who were formerly incarcerated, a program called Plant Justice with students at an alternative high school, and a Meatless Monday program that brings students and women who were formerly incarcerated together to share prepare and share meals and food justice programming. She also teaches Napier intergenerational learning courses and Inside-Out courses inside a local prison. Her most recent book, Markets, Community and Just infrastructures, includes a variety of case studies, including an interfaith coffee cooperative in Uganda, Cuban financial reform, globalization in Juárez Mexico, and the US meatpacking industry, to provide a framework for understanding the conditions under which markets promote or undermine social justice.

Focusing on pastoralist women in Gujarat India, the Fulbright-Nehru project of Prof. Neiman intends to track several key coping strategies and practices during Covid-19 among Gujarati pastoralist communities during the pandemic: the struggle over access to grazing lands and the ability to maintain traditional livelihoods, access to healthcare, navigating women’s traditional roles and their role as leaders, and promoting agrarian citizenship. Using qualitative data analysis gathered from interviews and quantitative ARCGIS survey data tracking pastoralist migratory patterns and community welfare, this project hypothesizes that pastoralist identities in Gujarat support, and are supported by, a broader transformational food sovereignty movement.

Neelima Chauhan

Dr. Neelima Chauhan obtained her bachelor’s, master’s, and doctoral degrees in life sciences with physiology and biochemistry majors, and a bachelor’s degree in education and psychology from Maharaja Sayajirao University of Baroda, India. After migrating to the U.S., she received her postdoctoral training in neurotoxicology at Oregon Health Science University and in molecular neurobiology and neurodegeneration at Loyola University Chicago.

After successful completion of postdoctoral trainings, she obtained an independent joint position as assistant professor at the University of Illinois at Chicago (UIC) and as research biologist with Veterans Affairs (VA). She then became an associate professor in the Department of Pediatrics at UIC where she also served as a faculty for the graduate program in neuroscience. Besides, she worked as the neuroscience program director at Jesse Brown VA Medical Center.

Dr. Chauhan has directed research projects funded by VA and the National Institutes of Health (NIH) in translational neuroscience, with a major focus on Alzheimer’s disease and traumatic brain injury. She has presented over 100 abstracts and published over 50 peer-reviewed articles, over six reviews, and more than five book chapters. She has also served on the editorial boards of many neuro-biomedical Journals.

Besides, Dr. Chauhan has served on various institutional administrative committees including the Institutional Biosafety Committee and the Institutional Animal Care and Use Committee. She has also served as a reviewer on RRD6 VA MERIT REVIEW Study Section and on NIH Grant Study Sections. She is a member of many professional societies such as the Society for Neuroscience, the American Society for Neurochemistry, and the International Society for Alzheimer’s & Dementia.

Dr. Chauhan’s Fulbright-Nehru project is evaluating the therapeutic potential of Indian classical music – by virtue of its unique melodic/rhythmic structure – in treating age-associated neuropsychiatric disorders.

Colette Copeland

Ms. Colette Copeland’s artistic and pedagogical practice is critically engaged with a symbiotic, diverse range of aesthetic and cultural values which emphasize interdisciplinary and collaborative work. As an established visual artist, her work has been featured in 28 solo exhibitions and 155 group exhibitions/festivals spanning 35 countries over the past 30 years. Her work as a visual artist and cultural critic/writer examines issues surrounding gender, identity, death, and contemporary culture. She sources personal narratives, historical texts, and popular media, utilizing video, photography, printmaking, performance, dance, text, audio, sculptural installation, and community activism to question societal roles, gendered violence, and the pervasive influence of media and technology on communal enculturation. She is interested in artists, including the conceptual kind, whose work deviates from traditional disciplines and training and who use non-traditional materials and processes in their work, such as in sculptural installation, performance, video, relational aesthetics, and social practice/collaborative activism.

Ms. Copeland received her BFA from Pratt Institute in New York and her MFA from Syracuse University. She has taught at six institutions over the past 20 years, each with diverse, global student populations. At the University of Pennsylvania, she developed and taught a new interdisciplinary visual studies major that incorporated visual arts, critical theory, humanities, and social sciences. Currently at the University of Texas at Dallas, she teaches an interdisciplinary “Fluxus-inspired” contemporary practices studio course, digital photography, and performance art.

Since 2001, Ms. Copeland has been writing for a variety of art publications and institutions like The Photo Review, Fotophile, Afterimage, Exposure, Ceramics: Art and Perception, Arteidolia, Glasstire, and Eutopia. She has 116 published articles to her credit. Most recently, she published two catalog essays – “Avery, A Family Legacy” and “Re-emergence: Women AbEx and Color Field Artists”. She is a long-time member of AICA-International Association of Art Critics.

Ms. Copeland’s Fulbright-Nehru project is focusing on qualitative research about underrepresented female visual artists from India, whose work explores themes of boundaries – physical, emotional, real, imagined, geographical, virtual, convergent, divergent, and transformative – using conceptual and contemporary multimedia art practices.

Jyotika Ramaprasad

Dr. Jyotika Ramaprasad is professor in the School of Communication at the University of Miami, Florida. Her major teaching areas are: communication and global social change; cultures and communication; media literacy; communication theory; participatory action research; and quantitative research methods. She is trained in dialogic pedagogy and is now under training to teach a course on collaborative learning across cultures. Her current research is in international communication, social change communication, and journalism studies.

Dr. Ramaprasad has been involved in curriculum development in East and Southern Africa and South Asia. Her work in Europe involves teaching in Austria and working in North Macedonia with the Romas and healthcare providers to facilitate social change towards more positive interactions. Her health-related social change communication work has been implemented in Uganda, and health is the focus of her current project with migrants in Florida. Besides, Dr. Ramaprasad’s environmental projects have been implemented in Vietnam (on flood preparedness) and Miami (on artificial coral reef development and testing).

Dr. Ramaprasad’s research has been published in reputed journals like Social Marketing Quarterly, International Journal of Disaster Risk Reduction, International Communication Research Journal, Asian Journal of Communication, Mass Communication and Society, The Harvard International Journal of Press/Politics, Journal of Advertising, and Digital Journalism. She has also edited two books, one of which received the 2020 Best Book Award of the International Journal of Press/Politics. She is on the editorial board of publications like Journalism and Mass Communication, Journalism Studies, and International Communication Research Journal. Dr. Ramaprasad has also served as vice dean for graduate studies at the University of Miami and as associate and interim dean at Southern Illinois University Carbondale.

Dr. Ramaprasad’s Fulbright-Nehru project is involved in teaching social change communication in instructional settings and through experiential engagement in a community social issue to enable participatory learning and outreach. The goal is to guide ethical corporate social responsibility among MICA’s business students and to localize solutions and creative communication through research-based understanding of community culture and communication practices.

Shira Singer

Ms. Shira Singer is a textile artist, art educator, and art therapist living in Bar Harbor, Maine. She has been applying color and pattern to cloth for several decades, while also focusing on the historical, social, and cultural contexts of different textile traditions and mediums. For the past six years, she has been using locally grown or foraged vegetation and plant materials to make fabric dyes.

Ms. Singer has been a teaching artist in a wide variety of settings, including schools, community arts programs for children and adults, senior colleges, and art festivals. She taught elementary school art for 15 years in multi-age classrooms on islands off the coast of Maine.

Ms. Singer has also had the privilege of leading art education workshops and making art with people of all ages: in Bengaluru, India, with the Parikrma Humanity Foundation; in Ambon, Indonesia, with the Heka Leka Education Foundation; and in Muscat, Oman, with the Sidab Women’s Sewing Center. Her textile pieces have been exhibited in galleries and shows throughout the U.S. and her recent work appeared in the Fall 2023 journal of the Surface Design Association, International Exhibition in Print.

Moreover, as an art therapist, she has over 35 years of experience in facilitating therapeutic art expression in psychiatric hospitals, counseling centers, and schools, as well as through private practice. Ms. Singer received her BS in elementary education from Northwestern University and her MA in art therapy from The George Washington University.

Ms. Singer’s Fulbright-Nehru project is focusing on understanding how natural dyeing traditions in India are evolving in response to rapid environmental change and societal impacts in the post-COVID scenario. As part of her project, she is creating a body of expressive artwork on cloth informed by conversations, research, and training with individuals who are engaged in preserving traditional practices of natural dyeing and design.

Urmila Mohan

Dr. Urmila Mohan is a public anthropologist of material culture and studies how sociocultural values are circulated through cloth, bodily practices, and belief. She earned a PhD in anthropology from University College London, an MFA in studio arts from Pennsylvania State University, a BA (hons) in anthropology from Victoria University of Wellington, and a BFA in communication design from the National Institute of Design, Ahmedabad.

Dr. Mohan’s research includes an ethnography of devotees who make garments for their deities and also wear specific clothing; this was published as Clothing as Devotion in Contemporary Hinduism. She also undertook a curatorial study of Balinese ritual textiles at the American Museum of Natural History, resulting in an exhibition and catalogue, Fabricating Power with Balinese Textiles. Besides, she is the author of the monograph, Masking in Pandemic U.S..

Dr. Mohan has written extensively on material practices and theorizes them in her edited volume, The Efficacy of Intimacy and Belief in Worldmaking Practices. Earlier, she had co-edited The Material Subject: Rethinking Bodies and Objects in Motion and a special issue of the Journal of Material Culture titled “The Bodily and Material Cultures of Religious Subjectivation”.

As part of her commitment to interdisciplinarity, Dr. Mohan founded the digital, open-access publication, The Jugaad Project. She is also a member of several global working groups, including the Matière à Penser network for embodiment studies.

Dr. Mohan’s Fulbright-Nehru project is an ethnographic study of weavers of silk ikat (resist-dyed) textiles in Gujarat, India. She is contextualizing ikat handloom innovation as a process of socio-technical ‘enchantment’ that engages weavers, traders, and consumers. She is also connecting woven cloths’ agency with changing socioeconomic and spiritual practices via weavers’ technical, bodily, and material adaptations. Her research adds to studies of how artisanal communities and heritage are shaped in India; it is doing so by analyzing shifts in practices/meanings due to migration, the influence of kinship on technology adoption and craft expansion, changing roles of women in weaving families, and the effects of the geographical indications patenting system.

Vinay Lal

Dr. Vinay Lal is a cultural critic, writer, and professor of history and Asian American studies at the University of California, Los Angeles (UCLA). He earned his BA and MA from Johns Hopkins University in 1982. This was followed by a year-long stint in Australia and India on a Thomas J. Watson Fellowship studying cinema. He earned his PhD with distinction from the Department of South Asian Languages and Civilizations at the University of Chicago. Prof. Lal was the William R. Kenan Fellow (1992–93) at the Society of Fellows in the Humanities at Columbia University and immediately thereafter moved to UCLA where he has remained ever since.

Prof. Lal’s intellectual and research interests include comparative colonial histories, the politics of knowledge systems, cinema, cultures of sexuality, the global histories of nonviolence, and the thoughts of Mohandas Gandhi. He has authored and edited 21 books, including the two-volume Oxford Anthology of the Modern Indian City (2013); The History of History (2003); The Fury of Covid-19: The Politics, Histories, and Unrequited Love of the Coronavirus (2020); and Insurgency and the Artist: The Art of the Freedom Struggle in India (2022). Prof. Lal is a founding member of the Backwaters and Metaphysics Collective and the editor of the three volumes that emerged from this initiative. He is also the Academic India (Humanities) Delegate (2022–25) of the Oxford University Press. He maintains an extensive academic YouTube channel – https://www.youtube.com/user/dillichalo. He also writes frequently for the Indian Express and Open Magazine. His forthcoming books include two volumes of his collected papers on Gandhi.

Gandhi’s march to the sea at Dandi has long been recognized as a pivotal moment in India’s anti-colonial struggle. Prof. Lal’s Fulbright-Nehru study, based on archival, museum, and field research in India, is attempting to furnish a different understanding of this paradigmatic instance of nonviolent resistance in world history. The argument is that the Salt March can be read more productively – interculturally and intertextually – alongside Gandhi’s satyagraha march in South Africa (1913) and the traces it has left around the globe.

Aparna Kapadia

Dr. Aparna Kapadia is associate professor of history at Williams College. She is a social historian of early modern and modern South Asia. Her research particularly focuses on western Indian regional cultures, identities, and power structures as well as the subcontinent’s links with the Indian Ocean networks. Dr. Kapadia studied at St. Xavier’s College, Mumbai, Jawaharlal Nehru University (JNU), New Delhi, and the School of Oriental and African Studies (SOAS), University of London, from where she received her PhD in 2013. From 2009 until 2011, she was a Mellon Postdoctoral Fellow at the University of Oxford.

Dr. Kapadia is the author of In Praise of Kings: Rajputs, Sultans and Poets in Fifteenth-Century Gujarat (Cambridge University Press, 2018) and co-editor of The Idea of Gujarat: History, Ethnography and Text (Orient Blackswan, 2010). Her articles have appeared in several peer-reviewed academic journals like The Mediaeval History Journal and The Journal of Asian Studies. From 2021 to 2024, she served as associate editor at the Journal of the Royal Asiatic Society. Dr. Kapadia also enjoys writing for popular asudiences. Since 2019, she has been publishing a column on a variety of topics in South Asian history called “Off Centre” in Scroll.in, one of India’s leading independent English-language digital publications.

For her Fulbright-Nehru project, Dr. Kapadia is conducting research for her upcoming book, Walking with the Mahatma: Kasturba Gandhi’s Political Life. This will be the first historically grounded and archivally researched biography of Kasturba (1869–1944), Mahatma Gandhi’s wife, which seeks to illuminate her pivotal but overlooked role as a political activist during India’s anti-colonial movement.