Pritha RaySircar is a writer, poet, audio documentarian, community worker, and an artist. She uses sound, words, cartoon, collage, fiber, and food performance to tell stories of (de)colonization, economics, identity, and immigration. Her current projects use family caregiving, menopause, and spinsterhood as lenses to interrogate allowed and conventional South Asian-American stereotypes. An Aspen Words Fellow, an AIR New Voices Fellow, and a holder of the Harpur Palate Award for Creative Nonfiction, Pritha is a current MFA candidate in creative nonfiction at the NYU Creative Writing Program, a poet at the Poetry Project, and studies short fiction with writer George Saunders alongside a worldwide cohort via Substack. She holds a postgraduate certificate in radio, podcasting, and audio documentary from the Salt Institute for Documentary Studies; an MS in public policy from the Milano School for Public Engagement/Urban Policy at the New School for Social Research as a full merit scholar; and a BA in English literature from Barnard College, Columbia University.
For her Fulbright-Nehru project, Pritha is researching and documenting oral histories of sraddha habishyanno – mourning food recipes and rituals – in Kolkata, West Bengal, to create a cultural process archive for diasporic Bengalis. No such centralized, easily understood, engaging layperson documentation exists. As a writer, documentarian, and social practice artist, Pritha is preserving the habishyanno practice in audio, text and text translation, image, and video as a legacy conveyance and to spark future user-friendly diasporic artefacts. An audio documentary, multimedia installation, and spoken-word performance are also in the works. Apart from these productions, Pritha’s research is set to shape and inform an American anthology book project on hospice and mourning comfort food and ritual.