Fulbright-Nehru Grant Categorys USA: Fulbright-Nehru Academic & Professional Excellence Award (Research)

Pamela Lothspeich

Dr. Pamela Lothspeich is associate professor of South Asian studies at the University of North Carolina at Chapel Hill where she has been teaching since 2008. She is a literary scholar and cultural historian whose work intersects with epic studies, performance studies, gender studies, and postcolonial studies. She has published extensively on modern iterations of Indian epics, particularly as they appear in Hindi literature, theatre, and film. Her previous research project was on the Radheshyam Ramayan and the theatre of Ramlila. Her books include Epic Nation: Reimagining the Mahabharata in the Age of Empire (OUP, 2009) and the co-edited volume, Mimetic Desires: Impersonation and Guising across South Asia (University of Hawai‘i Press, 2022). She has also guest-edited the special issue, “The Field of Ramlila”, in the Asian Theatre Journal (Spring 2020).

Formerly, she taught at Michigan State University (2004–08) and Chicago University (2003– 04). She holds a PhD in South Asian studies and comparative literature from Columbia University (2003) and an MA in Asian languages and literature from the University of Washington (1996).

Dr. Lothspeich’s research project is on Raslila, an Indian performance genre spanning theatre, dance, music, and ritual, which enacts stories about the Hindu god Krishna and the goddess Radha. Many stories in the tradition emphasize Krishna’s youthful antics and loving interactions with his devotees. Raslila is related to other forms of devotional theatre, especially the Ramlila centered on the Hindu god Ram. This project aims to provide fresh insights into Raslila in all its material social, political, and aesthetic contexts, and also into its intertwined history with Ramlila.

Gopal Krishnan

Prof. Gopal Krishnan is a trustee professor of accountancy and the coordinator of the PhD program in accounting at Bentley University. Before joining Bentley, he was the chair of the Accounting Department at Kogod School of Business, American University, Washington, D.C. He has also taught at Lehigh University and George Mason University. He is a chartered accountant, certified public accountant, and a certified management accountant. Professor Krishnan is cited in the Who’s Who Among America’s Teachers for his teaching excellence. His research addresses issues concerning auditor independence and audit quality, corporate governance and earnings management. He has published 80 articles in accounting and finance journals, including Accounting, Organizations and Society, Contemporary Accounting Research, The Accounting Review, Review of Accounting Studies, Journal of Banking & Finance, Journal of the American Taxation Association, Auditing: A Journal of Practice & Theory, Journal of Accounting and Public Policy, Accounting Horizons, Journal of Management Accounting Research, and Journal of Business Ethics. His work has been featured in Bloomberg Businessweek, Accounting Today, CNBC.com, Reuters, CFOWorld, and CFO.com. His co-authored article on a synthesis of audit-quality literature was awarded the 2016 Best Paper Award by the Auditing Section of the American Accounting Association. He was a senior editor of Accounting Horizons and holds a PhD from the University of North Texas.

Business groups (BGs) are dominant forms of industrial organization in India. For example, BG-affiliated firms account for 67 per cent of the total Bombay Stock Exchange market capitalization. However, despite the importance of BGs in India, there is a paucity of empirical research on the quality of audits of firms affiliated with BGs. Prof. Krishnan’s Fulbright-Nehru project is conducting an empirical study of the audit quality of Indian firms which are affiliated with BGs. Specifically, the study is examining whether there is a difference in audit quality between Indian firms affiliated with BGs and those that are unaffiliated (standalone firms).

David Ghertner

Prof. David Ghertner received his BA from Colby College and MA and PhD from the University of California, Berkeley. He is an associate professor in the Department of Geography at Rutgers University where he previously served as the director of the South Asian Studies Program. He is the author of Rule by Aesthetics: World-Class City Making in Delhi (Oxford University Press, 2015) and co-editor of Futureproof: Security Aesthetics and the Management of Life (Duke University Press, 2020) and Land Fictions: The Commodification of Land in City and Country (Cornell University Press, 2021). His research expertise lies in urban geography, and he has published widely on informal housing, property rights, urban aesthetics, and environmental governance. His research has been supported by the National Science Foundation, the American Institute of Indian Studies, the Social Science Research Council, Fulbright, and the American Council of Learned Societies.

A series of digital property reform programs are currently spreading across rural India, utilizing drone mapping and digital technologies to map, title, and enclose landholdings. Digitized property rights are deemed essential to fighting poverty and fostering rural development, but also face technical and political challenges that vary by region and land tenure. The translation of customary rights, bordering of land, and construction of data infrastructure depend upon complex bureaucratic work. Through ethnographic research involving engineers and bureaucrats who are implementing the reforms in Goa and Delhi NCR and by interacting with residents impacted by these reforms, Prof. David Ghertner’s Fulbright-Nehru project is exploring how digital property is reconstituting landownership in India.

Colette Copeland

Ms. Colette Copeland’s artistic and pedagogical practice is critically engaged with a symbiotic, diverse range of aesthetic and cultural values which emphasize interdisciplinary and collaborative work. As an established visual artist, her work has been featured in 28 solo exhibitions and 155 group exhibitions/festivals spanning 35 countries over the past 30 years. Her work as a visual artist and cultural critic/writer examines issues surrounding gender, identity, death, and contemporary culture. She sources personal narratives, historical texts, and popular media, utilizing video, photography, printmaking, performance, dance, text, audio, sculptural installation, and community activism to question societal roles, gendered violence, and the pervasive influence of media and technology on communal enculturation. She is interested in artists, including the conceptual kind, whose work deviates from traditional disciplines and training and who use non-traditional materials and processes in their work, such as in sculptural installation, performance, video, relational aesthetics, and social practice/collaborative activism.

Ms. Copeland received her BFA from Pratt Institute in New York and her MFA from Syracuse University. She has taught at six institutions over the past 20 years, each with diverse, global student populations. At the University of Pennsylvania, she developed and taught a new interdisciplinary visual studies major that incorporated visual arts, critical theory, humanities, and social sciences. Currently at the University of Texas at Dallas, she teaches an interdisciplinary “Fluxus-inspired” contemporary practices studio course, digital photography, and performance art.

Since 2001, Ms. Copeland has been writing for a variety of art publications and institutions like The Photo Review, Fotophile, Afterimage, Exposure, Ceramics: Art and Perception, Arteidolia, Glasstire, and Eutopia. She has 116 published articles to her credit. Most recently, she published two catalog essays – “Avery, A Family Legacy” and “Re-emergence: Women AbEx and Color Field Artists”. She is a long-time member of AICA-International Association of Art Critics.

Ms. Copeland’s Fulbright-Nehru project is focusing on qualitative research about underrepresented female visual artists from India, whose work explores themes of boundaries – physical, emotional, real, imagined, geographical, virtual, convergent, divergent, and transformative – using conceptual and contemporary multimedia art practices.

Meenakshi Chandra Sekar

Dr. M. Chandra Sekar obtained his BPharm and MPharm from Birla Institute of Technology and Science (BITS), Pilani, India. Then he earned a PhD at the University of British Columbia, Vancouver, and completed his postdoctoral work from the University of Wisconsin, Madison. Following this, Dr. Sekar was a researcher at the University of Alabama in Birmingham where he made significant contributions to the area of phosphoinositide signaling.

Dr. Sekar then served as a pharmacist at the University of Cincinnati Hospital in Ohio for seven years before joining the University of Findlay as an associate professor in pharmaceutical sciences in 2007. He was promoted to full professor with tenure in 2013 and now also serves as the International Ambassador for Pharmacy Education for the University of Findlay. Earlier, in 2010, he started a study abroad program that enabled student and faculty exchanges between the University of Findlay and pharmacy colleges in India. Over the past decade, 40 students from each country have availed of this opportunity.

Dr. Sekar’s commitment to improving pharmacy practices in India has been recognized by the Indian Pharmacist Association – by bestowing him with the M.L. Khorana Memorial Award in 2018 and electing him as a fellow of the association in 2019. Dr. Sekar’s other honors include: being a fellow of the American Pharmacists Association; winning the B.M. Mittal Memorial Award from his alma mater, BITS; and winning the David L. Allen award for holistic teaching.

In his Fulbright-Nehru project, Dr. Sekar is studying the impact of pharmacist involvement in improving patient outcomes for hypertension and diabetes.

Manish Chalana

Dr. Manish Chalana, PhD, is an associate professor in the Department of Urban Design and Planning at the University of Washington, with adjunct appointments in Architecture and Landscape Architecture in the College of Built Environments. He is also an affiliate of the South Asia Center in the Jackson School of International Studies (JSIS). His work engages with urban planning through the lenses of historic preservation, international planning and development, and equity and social justice. He is also the director of the Graduate Certificate in Historic Preservation and co-directs the Center for Preservation and Adaptive Reuse (CPAR) which strives to connect the academia to the practice of historic preservation. Additionally, he is the membership chair of the National Council for Preservation Education (NCPE). Dr. Chalana’s scholarly contributions have been substantial, including two co-edited volumes. The first, titled Messy Urbanism: Understanding the “Other” Cities of Asia (with Jeffrey Hou, Hong Kong University Press, 2016), goes beyond the mainstream discourse in exploring the complexities of urbanism in Asian cities. The second volume, Heritage Conservation in Postcolonial India: Approaches and Challenges (with Ashima Krishna, Routledge, 2021), critically examines heritage conservation in the context of India’s postcolonial society. Additionally, he has published on topics of urban planning and historic preservation in a variety of academic journals, including the Journal of Architectural Education, the Journal of Heritage Stewardship, Planning Perspectives, Journal of Planning History, and Journal of the American Planning Association.

Dr. Chalana’s Fulbright-Nehru project is exploring the state of historic preservation, or “heritage conservation”, in India, focusing on its inclusivity and equity aspects. The project is primarily examining the representation of sites associated with underrepresented communities in the historical record and is assessing their management and interpretation on the ground. Additionally, the project is investigating the types of histories and memories that may have been lost for sites where physical evidence no longer exists. The study’s emphasis is on Dalits, non-elite Muslims, Sikhs, women, and non-binary groups.

Gil Ben-Herut

Dr. Gil Ben-Herut is an associate professor at the University of South Florida in Tampa, Florida. He holds a PhD in religious studies from Emory University and a BA and MA from Tel Aviv University in Israel. His research interests include premodern religious literature in the Kannada language, South Asian bhakti (devotional) traditions, translation in South Asia, and programming in digital humanities.

His book, Śiva’s Saints: The Origins of Devotion in Kannada according to Harihara’s Ragaḷegaḷu (Oxford University Press, 2018), is the first study in English of the earliest Śaiva hagiographies in the Kannada-speaking region, and it argues for a reconsideration of the development of devotionalism as associated today with the Vīraśaivas. The book received the Best First Book Award for 2019 from the Southeastern Medieval Association and the 2020 Best Book Award from the Southeastern Conference of the Association for Asian Studies. Dr. Ben-Herut also received the Faculty Outstanding Research Achievement Award from the University of South Florida for the year 2020.

Dr. Ben-Herut recently completed co-translating selections from the Ragaḷe hagiographical collection for a book-length publication (under review). This project is funded by the American Academy of Religion’s Collaborative International Research Grant. His publications include a co-translation of a twelfth-century Kannada treatise about poetics, encyclopedic entries, a co-edited volume, book chapters, and peer-reviewed articles. Dr. Ben-Herut is the co-founder of the Regional Bhakti Scholars Network, a platform for facilitating scholarly conversations about South Asian devotional traditions.

Utilizing his extensive experience in computer programming, Dr. Ben-Herut also leads several digital humanities projects, including digital ROSES and BHAVA. He is a member of the Digital India Learning Committee of the American Institute of Indian Studies and an active collaborator in digital projects about South Asian texts and languages involving open-source and open-access environments.

The textual “biography” of the vachana corpus – an expanding collection of devotional and lyrical poetry in Kannada from the twelfth century – spans over several key moments in the history of South India, starting with an innovative devotional practice of personal oral proclamations and then developing into a written canon that served as the fulcrum for a new religious sect, until finally becoming a cultural tool for biting social critique in the modern period. Dr. Ben-Herut’s Fulbright-Nehru project is examining how, nine centuries after their appearance, the vachanas became the most cherished literature in Kannada and an exemplar of sorts for spiritual poetry around the world.

Lauren Bausch

Prof. Lauren Bausch teaches at Dharma Realm Buddhist University, located in the City of Ten Thousand Buddhas in Ukiah, California. A specialist in the philosophy of the Brāhmaṇa texts, she is interested in exploring the relationship between Vedic tradition and early Indian Buddhism. She is the editor of Self, Sacrifice, and Cosmos: Vedic Thought, Ritual, and Philosophy (2019) and has written articles such as “The Kāṇva Brāhmaṇas and Buddhists in Kosala”, “Philosophy of Language in the Ṛgveda”, and “Bráhman as the Absolute in Late Brāhmaṇa Texts”. She completed her PhD in Sanskrit from the Department of South and Southeast Asian Studies at the University of California, Berkeley, in 2015.

Including a life-changing undergraduate semester in the Department of Philosophy at the University of Delhi and three semesters of dissertation fieldwork at Jawaharlal Nehru University, Prof. Bausch has been to India to study languages, conduct research, deliver lectures, and to volunteer. She has given invited lectures at the Indira Gandhi National Centre for the Arts, the National Museum, Bharatiya Vidya Bhavan, Jawaharlal Nehru University, and Savitribai Phule Pune University. She received the first annual International Association of Sanskrit Studies’ Honorary Research Fellowship in 2019 and organized a Vedic conference at Bhandarkar Oriental Research Institute in Pune.

Prof. Bausch looks forward to building a community of scholars and practitioners that facilitates collaboration among Vedic and Buddhist specialists in the United States and India. She hopes that the book resulting from this Fulbright-Nehru research touches its readers by revealing something about their roots and will also give scholars of Hinduism a more comprehensive understanding of Vedic tradition and scholars of Buddhism a sound basis for understanding the cultural background of Gotama’s teachings.

Prof. Bausch’s Fulbright-Nehru project is investigating the philosophy of language and causality that is articulated in middle and late Vedic texts. She is identifying and examining the discourses within these texts around the nature of man and the absolute creating itself to experience relativity, while situating the philosophy of the Brāhmaṇa texts in the intellectual history of India. Rather than interpreting ritual activity through the lens of Mīmāṃsā and Vedānta, her research is probing the cosmologies, mythologies, and explanatory connections found throughout the Brāhmaṇa texts themselves. The results are expected to shed more light on the relationship between late Vedic thought and early Buddhism.

Ricca Slone

Prof. Ricca Slone has been teaching graduate public policy courses in Northwestern University’s School of Professional Studies for the past 12 years. Most recently, she taught an online course on Congressional procedure in Fall 2023. Before teaching at Northwestern University, Prof. Slone worked on water-supply issues for three years at the Environmental Law & Policy Center, a research and advocacy organization based in Chicago which works in several U.S. Midwestern states. From 1997 to 2005, Prof. Slone served four terms as a state representative in the Illinois House of Representatives, representing the 92nd district in central Illinois. She also chaired the Higher Education Appropriations Committee and was the vice chair of the Energy & Environment Committee.

As a senior scholar near the end of her working years, Prof. Slone hopes to rejuvenate the Sun Oven project by relaunching the assembling and marketing of solar ovens from a new location in Karnataka so that they can help women in South India who cook over wood fires.

Prof. Slone’s Fulbright-Nehru project is identifying strategies to overcome Indian cultural challenges to adopting renewable technologies. The framework for analysis is Nordgren and Schonthal’s friction theory (The Human Element, 2022). The project’s focus is on adoption of clean solar cooking by rural Indian women who otherwise cook over smoky fires, which is time consuming and causes respiratory diseases and deforestation. The research is a case study comparing the relative ease of adoption of the following technologies: wind turbines for energy; electric tuk-tuks for mobility; and solar ovens for cooking. Prof. Slone’s hypothesis is that cooking will encounter the most cultural resistance.

Shira Singer

Ms. Shira Singer is a textile artist, art educator, and art therapist living in Bar Harbor, Maine. She has been applying color and pattern to cloth for several decades, while also focusing on the historical, social, and cultural contexts of different textile traditions and mediums. For the past six years, she has been using locally grown or foraged vegetation and plant materials to make fabric dyes.

Ms. Singer has been a teaching artist in a wide variety of settings, including schools, community arts programs for children and adults, senior colleges, and art festivals. She taught elementary school art for 15 years in multi-age classrooms on islands off the coast of Maine.

Ms. Singer has also had the privilege of leading art education workshops and making art with people of all ages: in Bengaluru, India, with the Parikrma Humanity Foundation; in Ambon, Indonesia, with the Heka Leka Education Foundation; and in Muscat, Oman, with the Sidab Women’s Sewing Center. Her textile pieces have been exhibited in galleries and shows throughout the U.S. and her recent work appeared in the Fall 2023 journal of the Surface Design Association, International Exhibition in Print.

Moreover, as an art therapist, she has over 35 years of experience in facilitating therapeutic art expression in psychiatric hospitals, counseling centers, and schools, as well as through private practice. Ms. Singer received her BS in elementary education from Northwestern University and her MA in art therapy from The George Washington University.

Ms. Singer’s Fulbright-Nehru project is focusing on understanding how natural dyeing traditions in India are evolving in response to rapid environmental change and societal impacts in the post-COVID scenario. As part of her project, she is creating a body of expressive artwork on cloth informed by conversations, research, and training with individuals who are engaged in preserving traditional practices of natural dyeing and design.