Urja Joshi is a recent graduate of Columbia University’s Graduate School of Arts and Sciences, where she earned a master’s degree in South Asian studies. She earned her BA in history and religion at the University of North Texas, where she also presented and published her undergraduate thesis, “Hindu Mythology Is Not Mythology: The Philosophy of the Puranas”. She spent part of her childhood in India and grew up in a South Asian diaspora community – both these experiences shaped her early interest in South Asia’s cultural and religious diversity.
Her academic work centers on South Asian religious traditions, with particular focus on narrative traditions, indigenous theoretical frameworks, and visual and material sources. She is especially interested in how religious narratives are shaped and reinterpreted across textual and artistic traditions, and how South Asian theoretical frameworks can be applied to religious studies and art history. Her research also pays particular attention to Sanskrit literature and aesthetic theory, especially the concept of rasa and its role in shaping interpretations of narrative traditions such as the Ramayana. Urja was awarded a Foreign Language and Area Studies (FLAS) Fellowship through which she pursued Hindi language training; she also attended a summer study program in India through the American Institute of Indian Studies.
Urja’s Fulbright-Nehru project is examining the intersection of visual and textual representations of Hindu religious narratives. Through site-specific research in Rajasthan, India, the project is focusing on artistic depictions, particularly temple carvings and early modern Rajasthani/Mewar paintings, and how they intersect with and challenge textual traditions. With the help of comparative analysis, Urja is also exploring how visual representation reshapes interpretive possibilities that are beyond textual description. The research is foregrounding understudied deities while simultaneously reexamining established narratives. By situating visual and textual traditions together, her research contributes to broader understandings of Hinduism and advances scholarship in South Asian art history and religious studies.