University of California Archives

Rebecca Waxman

Ms. Rebecca Waxman is a PhD candidate at UCLA in the Department of History, specializing in South Asia and with a concentration in gender studies. Her work aims to study occurrences of sexual and gender-based violence that marked turning-point moments in colonial and postcolonial Indian social, political, and feminist histories. Ms. Waxman received her BA in history with a certificate in South Asian Studies from Wesleyan University in 2016, where she wrote her honors thesis historicizing the Delhi Gang Rape of 2012. Her work has been published in Women’s History Review and A Cultural Encyclopedia of Lost Cities and Civilizations (forthcoming).

Ms. Waxman’s dissertation project historicizes the relationship between the interpersonal, violent act of rape and the broader Indian society and politics, exploring how colonial categories and dynamics shaped understandings and legislation of female sexuality and of sexualized violence in British and independent India. It also studies the continuities and discontinuities between colonial and postcolonial India regarding rape. Ms. Waxman’s research endeavors to illuminate key nodes in the complex heterogeneous history of sexual violence in modern South Asia in order to recuperate the subjecthood of Indian women who enter the archive in moments of violation; it also aims to question the dominant knowledge structures informing the subjugation of women.

Christopher Chacon

Mr. Christopher Leo Chacon is a sixth year History PhD candidate at the University of California, Irvine (UCI) and works on early twentieth century Hindu political thought under his doctoral advisor, Dr. Vinayak Chaturvedi. Specifically, he is interested in how Hindu anticolonialism and intellectualism fostered innovative conceptions of history and social reform during the last decades of colonial India as well as for the global Indian community. He is a California State University Chancellor’s Doctoral Incentive Program scholar and has received numerous awards for writing and research. He was an AIIS Language fellow in 2018-2019 and studied Hindi in Jaipur, India. He was also the 2016 Southern California Regional Conference of Phi Alpha Theta History Honor Society Best Graduate Paper Award recipient for their world history category.

Mr. Chacon enjoys facilitating discussions on history as a Teaching Assistant, a position he has held since 2017. While at UCI, he has guest lectured on topics ranging from ancient world history to Indian religions. A native of Orange County, he received his bachelor’s degree in Anthropology, History, and Religious Studies and his master’s degree in History from California State University, Fullerton in 2013 and 2016 respectively. While speaking on behalf of his graduating class in 2013, Mr. Chacon underscored his belief in a holistic approach to the humanities as well as dedicated himself to mentoring future young scholars as he began his graduate career. He has kept that promise by pursuing several certificate programs at his university centered on mentorship and currently leads a writing group for his department. Mr. Chacon will graduate in 2023 and, after completing his Mellon postdoctoral teaching appointment at UCI, pursue a career in either academics or the federal government. He will be the first in his family to receive a PhD. In his spare time, he enjoys watching films and bowling with family and friends.

Mr. Chacon’s Fulbright-Nehru project is an investigation into the transnational works of Lajpat Rai and Bhai Parmanand in order to reconstruct of one of the most consequential and influential sociopolitical movements of the 20th century—Hindu intellectualism. Through the lens of the relatively new and innovative field of global intellectual history, Mr. Chacon focuses on the writings of Parmanand and Rai so as to argue that their ideas were essential to the development of global Hindu intellectualism. Mr. Chacon has compiled evidence that strongly suggests their transnational experiences shaped Hindu intellectualism, which in turn contributed to worldbuilding before and after independence.

William Elison

Prof. William Elison studied at Williams College and received a PhD in the history of religions from the University of Chicago. He teaches in the Department of Religious Studies at the University of California, Santa Barbara. He specializes in Hinduism and related traditions as observed in India in the present day, mostly in vernacular languages, mostly among non-elite people.

As an urban ethnographer, he is committed to an ongoing program of research in the streets and poor neighborhoods of Mumbai. The first book-length product of this research, The Neighborhood of Gods, came out in 2018 from the University of Chicago Press. It examines how slum residents and other marginalized groups use religious images to mark and settle urban space. One of its main arguments is that sacred space is created according to a visual and somatic praxis observed across religious traditions. At the same time, it recasts, in a modern context, a question central to the history of Hindu thought: If the divine is manifest in the phenomenal world, then where and in what form do we recognize God? And with what sort of insight or authority?

Related research interests have included Adivasi (“tribal” or ST) communities; Indian slum neighborhoods and their village roots; and the mediation of darshan, or visual worship, by the movies and other technologies. From his student days, Prof. Elison has looked to Hindi popular cinema— “Bollywood”— for a window into modern Indian culture. His book on the landmark 1977 film Amar Akbar Anthony, coauthored with Christian Novetzke and Andy Rotman, was released in 2015 by Harvard University Press.

He has recently become interested in exploring the literary possibilities of ethnographic writing. His Fulbright-Nehru project this year intends to advance the next step in his fieldwork inquiry into religious life in Mumbai slum colonies.

A multisite ethnography of religious life in Mumbai slum communities. By “slum” Prof. Elison means housing consisting of unauthorized structures. Over half Mumbai’s population lives in such neighborhoods. By “religion” he means cults of local, territorial gods and divinized figures. This is a stratum of practice long associated with “village Hinduism” that Prof. Elison will demonstrate is a) observed in urban India; and b) not confined to Hindus. He will study gods as brokers of blessings and resources that flow into communities: vitality, cash, respect. Over a total of six months, Prof. Elison seeks to pursue simultaneous inquiries in three or more neighborhoods. His method is qualitative participant observation.

Lavanya Nott

Lavanya Nott is a PhD student in geography at UCLA. She has a master’s degree in South Asia studies from Cornell University and a bachelor’s in English literature and mathematics from Bryn Mawr College. She has worked in organizing and research in the area of labor rights in both India and the U.S., most recently, with an organization in Bengaluru on the working conditions in export-oriented manufacturing industries in South India. In the past, her research has been supported by Foreign Language and Area Studies Fellowships, and UCLA-administered grants.

Outside of research, Lavanya is an avid baker and cook, and enjoys playing football with a local club and spending time with her dog, Abacus.

Lavanya’s Fulbright research is exploring past and current projects on food sovereignty in postcolonial India and their entanglements with anti-imperialist internationalist currents across the Third World. Her study is particularly on how struggles around food sovereignty have transformed in response to neoliberalism, and how they relate to broader questions of political and economic sovereignty in the postcolonial world.

Siya Sharma

Siya Sharma is a graduate of the University of California, Los Angeles (UCLA), where she studied anthropology and human biology and society. During her time at UCLA, Siya immersed herself in years-long research at the university’s medical and sociocultural anthropology departments. Under the guidance of Dr. Daniel Fessler and Dr. Abigail Bigham, she has cultivated a research niche focusing on the genome sequences present in Indian populations which contribute to metabolic disorder and lifestyle health problems. Most recently, Siya spearheaded a study of key metabolic processes and their relation to adverse health outcomes associated with the consumption of refined flour in North India. These experiences have allowed her to reconceptualize how genetics plays a key role in the dynamics between individuals and their respective health outcomes. These days, Siya is focused on Indian women’s health outcomes and is also assessing epigenetic influences using laboratory, medical survey, and participant interview methods.

As a teenager, Siya fundraised for and purchased thousands of sanitary hygiene products which she distributed in local soup kitchens, food pantries, and food drives. She has also volunteered as a medical caseworker at UCLA Health. In her spare time, Siya led her university’s poetry and spoken word program. She also served as a lead editor and creative director of UCLA’s FEM Magazine, a publication dedicated to writing about campus life through a feminist perspective.

The polycystic ovary syndrome (PCOS) is a metabolic and reproductive endocrine disorder with no known cure. Some of the highest rates of this disease are among Indian women. In India, Ayurvedic conceptualizations of the menstrual cycle regularity causes PCOS diagnosis to be perceived as an energy imbalance within the body. Siya’s Fulbright-Nehru research project is examining the ideas of health and balance for women diagnosed with PCOS and also their respective social, cultural, economic, and political conditions. While studying the social perceptions and current medical approaches to treating this disorder, Siya is proposing a two-part PCOS management model which incorporates both Ayurvedic concepts and biomedical practices.

Ariana Pemberton

Ariana Pemberton is a PhD candidate in the History of Art department at the University of California (UC), Berkeley. Her dissertation is on ivory-carved objects from South Asia and on the Indian Ocean ivory trade, from the eighth to fifteenth centuries. Part of her research includes testing ivory objects using peptide mass fingerprinting analyses, which determine the provenance of the ivory to the species level. Ariana presented parts of her dissertation research at the Getty Graduate Symposium in January 2024 and at the University of Toronto in May 2024.

She also teaches an undergraduate course at UC Berkeley that focuses on art and material culture from the Indian Ocean World, ca. 700–1500 CE. Previously, she delivered lectures to upper-division undergraduates on “Bronze, Ivory, and Dragon’s Blood: Making the Middle Ages in the Indian Ocean World”. Ariana has also worked as a graduate student instructor in Asian Art at UC Berkeley.

In 2022, she completed her MA thesis on the Firuz Minar, a brick-and-basalt minaret built in Bengal during the 15th century, which today stands as the oldest extant monument in India patronized by an African ruler. Ariana presented this thesis at the Annual Conference on South Asia at the University of Madison, Wisconsin (October 2022), and at the Association for Asian Studies Annual Conference in Honolulu (March 2022). She completed her bachelor’s in art history from UC Berkeley in 2017. She has also conducted extensive fieldwork in India and has been a student of Hindi and Sanskrit.

Ivory was one of the most enigmatic materials in medieval South Asia: religious icons were carved out of ivory; rulers sat on ivory thrones; medical practitioners prescribed ivory for ailments; men and women lay on aphrodisiac ivory beds; and ivory chess pieces circulated across the Eurasian world. However, the centrality of this material transformed it into a global bio-commodity, setting into motion an ecological process that led to the endangerment of elephants. In her Fulbright-Nehru project, Ariana is writing a longue durée ecological art history of South Asian ivory.

Vinay Lal

Dr. Vinay Lal is a cultural critic, writer, and professor of history and Asian American studies at the University of California, Los Angeles (UCLA). He earned his BA and MA from Johns Hopkins University in 1982. This was followed by a year-long stint in Australia and India on a Thomas J. Watson Fellowship studying cinema. He earned his PhD with distinction from the Department of South Asian Languages and Civilizations at the University of Chicago. Prof. Lal was the William R. Kenan Fellow (1992–93) at the Society of Fellows in the Humanities at Columbia University and immediately thereafter moved to UCLA where he has remained ever since.

Prof. Lal’s intellectual and research interests include comparative colonial histories, the politics of knowledge systems, cinema, cultures of sexuality, the global histories of nonviolence, and the thoughts of Mohandas Gandhi. He has authored and edited 21 books, including the two-volume Oxford Anthology of the Modern Indian City (2013); The History of History (2003); The Fury of Covid-19: The Politics, Histories, and Unrequited Love of the Coronavirus (2020); and Insurgency and the Artist: The Art of the Freedom Struggle in India (2022). Prof. Lal is a founding member of the Backwaters and Metaphysics Collective and the editor of the three volumes that emerged from this initiative. He is also the Academic India (Humanities) Delegate (2022–25) of the Oxford University Press. He maintains an extensive academic YouTube channel – https://www.youtube.com/user/dillichalo. He also writes frequently for the Indian Express and Open Magazine. His forthcoming books include two volumes of his collected papers on Gandhi.

Gandhi’s march to the sea at Dandi has long been recognized as a pivotal moment in India’s anti-colonial struggle. Prof. Lal’s Fulbright-Nehru study, based on archival, museum, and field research in India, is attempting to furnish a different understanding of this paradigmatic instance of nonviolent resistance in world history. The argument is that the Salt March can be read more productively – interculturally and intertextually – alongside Gandhi’s satyagraha march in South Africa (1913) and the traces it has left around the globe.

Lynna Dhanani

Dr. Lynna Dhanani obtained her doctorate from Yale University and joined the Department of Religious Studies at the University of California, Davis, in 2020 as an assistant professor of religious studies. She is currently working on her first major monograph, tentatively titled “Authority and Wonder: The Devotional Worlds of Hemacandra and Other Medieval Gujarati Hymn-makers”. Her research explores the confluence of interreligious polemics, philosophical debates, devotional themes, and poetics in the Sanskrit hymns of the celebrated 12th-century Svetambara Jain, Hemacandra, a court pandit to two Hindu kings of medieval Gujarat. Having dedicated herself to the study of multiple Indian religions for more than two decades, Dr. Dhanani has a wide range of interests, including Jainism, Sanskrit and Prakrit languages and literature, Indian philosophy and aesthetics, yoga, tantra, and especially South Asian religious art.

In 2023, she co-curated an exhibition at the UCLA Fowler Museum called “Visualizing Devotion: Jain Embroidered Shrine Hangings”, and is currently a co-author for the exhibition book. As a recipient of the Neubauer Collegium Visiting Fellowship (2022–23) and as part of the “Entanglements of Indian Pasts” project, she has shared her work on the great 20th-century Jain scholar Muni Jambuvijaya and his manuscript preservation projects. In 2022, she was the main organizer of the field-defining conference “Beyond Boundaries: In Honor of John E. Cort”, which brought together numerous scholars in honor of Dr. Cort, a prolific scholar in the fields of Jain and South Asian studies.

Dr. Dhanani’s Fulbright-Nehru project is exploring the diversity of Jain hymns produced in Sanskrit, Prakrit, and Apabhramsha languages in 11th–13th century Gujarat by the polymath Hemacandra and his contemporaries; the objective is to understand better their perceptions of the broader religious and intellectual worlds in which they flourished and their relationship with religious centers and the royal courts. In this context, she is exploring several libraries across north-west India and engaging local scholars, Jain communities, and Indian institutions in order to collect and analyze these hymns. This work will inform her first book manuscript as well as other publications.