Mr. Matthew Sheridan is a Los Angeles-based abstract artist who is constantly learning from global philosophies while working toward animating the blind spots in the collective reality of humankind. His non-objective paintings and animations generate worlds of plug-and-play constructivist expressionism where his work’s meaning comes from its actions on paper and canvas, as well as via in situ video projections.
A BFA from New York University and an MFA from California’s ArtCenter College of Design, Mr. Sheridan has held 13 solo exhibitions to date. His video has been screened in two Olympic Games and his work has been exhibited in museums like Centre Pompidou and Jeu de Paume in Paris, and CICA in South Korea.
Mr. Sheridan has participated in artist residencies such as Fountainhead in Miami, Instituto Sacatar in Brazil, and La Napoule Art Foundation in France. He has also won grants and residencies, including the Pollock-Krasner Foundation Grant; an audiovisual grant from the secretary of culture of Bahia, Brazil; a Paradise AIR Residency sponsored by Japan’s Agency for Cultural Affairs (Bunka-cho); and three UCLA faculty development grants.
In the summer of 2025, Mr. Sheridan collaborated with visual artist Vishwa Shroff, architect Katsushi Goto, and philosopher Rohit Goel on a series of short, animated, live-mixed architectural video projections in Mumbai and Vadodara, India. This was followed in autumn 2025 by a solo exhibition in CDMX, Mexico, called Destino Floreciente; there, he premiered a new bespoke work for Mexico City entitled Doom In Bloom. His work is part of collections in America, France, and Australia.
Mr. Sheridan has taught at NYU/Tisch in New York and Singapore, the School of Visual Arts in New York, and at UCLA’s Geffen Academy in Los Angeles.
Mr. Sheridan’s Fulbright-Nehru project, “Elephants in the Room”, is a multidisciplinary collaboration between two visual artists, an architect, and a philosopher who theorize, then visualize, about intersections between eastern, western, and global philosophies, to expand beyond the sensory limitations of contemporary “society of the spectacle”. It is employing the Gesamtkunstwerk (total work of art) approach for the deliverables, including drawing, painting, installation-based animated architectural projections, live-mixed video, exploratory music and audio with experimental documentary, and narrative cinema. Essentially, this collaborative project is reconceiving architecture/built form as a fluid interface in an attempt to animate the blind spots in humankind’s shared reality.