Host City USA: New Delhi

Tara Seekins

Ms. Tara Seekins teaches English at Tamalpais High School in Mill Valley, California. She has served as a school leader, an English instructor in the college program at San Quentin State Prison, and as a lecturer in the Graduate School of Education at UC Berkeley. Ms. Seekins has a National Board certificate in English language development and was part of the 2015 Fulbright-Hays delegation that traveled to China. Each of these experiences has reinforced her belief in the transformative power of education as well as intensified her passion for developing culturally relevant curricula, collaborating with colleagues across the globe, and encouraging students to become engaged citizens of the world.

Ms. Seekins holds a bachelor’s degree from Smith College, a master’s degree in English from the University of Colorado at Boulder, and both a master’s degree in education and a law degree from UC Berkeley.

Ms. Seekins’s Fulbright inquiry project is exploring gender representation in contemporary Indian literature and film and has a curriculum guide and instructional unit for secondary English teachers. The guide and instructional unit are focusing on women’s voices in contemporary Indian literature through university coursework and interviews with students and professors; collaborations with Indian educators to support cross-cultural dialogue; and site visits to locations of cultural and literary importance. This will form one of the cornerstones of a newly developed course on world literature that concentrates on diversity, equity, inclusion, and justice.

J.P. Singh

Dr. J.P. Singh is Professor of International Commerce and Policy at the Schar School of Policy and Government, George Mason University, and Richard von Weizsäcker Fellow with the Robert Bosch Academy, Berlin. Previously, he was Chair and Professor of Culture and Political Economy, and Director of the Institute for International Cultural Relations at the University of Edinburgh.

Prof. Singh has published 10 books and over 100 articles. His latest books are: Cultural Values in Political Economy (2020), and Sweet Talk: Paternalism and Collective Action in North-South Trade Negotiations (Stanford, 2017). His book Globalized Arts: The Entertainment Economy and Cultural Identity (Columbia, 2011) won the American Political Science Association’s award for best book in information technology and politics in 2012. His current book project is Development 2.0: How Technologies Can Foster Inclusivity in the Developing World (Oxford, forthcoming). He has worked with international organizations such as UNESCO, the World Bank, and the WTO, and played a leadership role in several professional organizations. He is Founding Editor of the journal Arts and International Affairs. Previously he was Editor of Review of Policy Research, the journal specializing in the politics and policy of science and technology. Awards in 2022 include a $1.39 million grant from the Minerva program (as Principal Investigator), Distinguished Scholar in International Communication award from the International Studies Association, and Outstanding Scholar Award from the Schar.

He has taught at Scripps College (Claremont), University of Mississippi, American University, Georgetown University, School of Advanced International Studies – Johns Hopkins University, and George Mason University. Outside of the United States, he has taught at the University of Edinburgh, Graduate Institute – Geneva (IHEID), University of Siena, and University of Jyväskylä. He holds a PhD in Political Economy and Public Policy from the University of Southern California, an MA from Mumbai.

How are India’s export industries adopting artificial intelligence technologies to compete in the global economy? Can AI enhance Indian exports just as Information technologies did a generation ago? Prof. Singh’s Fulbright-Nehru project in India seeks to conduct research on the Indian policy and business landscape for AI technology adoption in export industries, while also presenting teaching modules on related topics of technology, diplomacy, and international commerce.

Margaret Phillips

Prof. Margaret Phillips is a paralegal educator, lawyer, writer and access to justice activist focused on developing experiential learning for paralegal students while promoting access to justice for under-served communities. She is currently the Director of the Paralegal Studies program at Daemen University in Buffalo, New York, and prior to that she taught Legal Research and Writing at the University of Buffalo School of law and was a civil litigator with experience in negligence, civil rights, and discrimination.

As an educator, Prof. Phillips is experienced in developing curriculum, presenting and teaching on topics ranging from social justice, legal ethics, legal research and writing, introduction to law, and legal research methods. She has presented to audiences including high school groups, paralegals, paralegal educators, practicing attorneys, and college students. She was recently selected to do a Tedx Buffalo talk “What if the Constitution Could Talk?”

As a writer, Prof. Phillis is the author of a college textbook on legal analysis and writing entitled: “A Practical Guide to Legal Research and Analysis for Paralegal and Legal Studies Students.” She also writes a regular column for the Bar Association for Erie County entitled “Spotlight on Paralegals.”

Her current scholarly focus is on access to justice effort locally, nationally, and internationally. As the program director for Paralegal Studies, she has been active in creating the Paralegal Clinic course as well as community-based short-term clinics such as expungement clinics to eradicate low-level marijuana related criminal convictions.

During her Fulbright-Nehru grant, Prof. Phillips intends to collaborate, develop and co-teach legal skills curriculum for paralegals and interns at the Human Rights Law Network, the legal clinics at the National Law University Delhi, and other paralegal organizations. The primary goal is to increase these organizations’ capacity, communication and collaboration to promote access to justice. The secondary goal is to form solid collaborations between the not-for-profits and law schools to enhance access to representation. Specifically, the training and teaching will support Human Rights Law Network in hosting more volunteers, enhance and grow legal clinics at NLU Delhi, and support community paralegal networks.

Supriya Pandit

Ms. Supriya Pandit is a recent graduate of Cornell University, where she earned a Bachelor of Science in Human Biology, Health and Society with minors in Global Health, Human Development, and Gerontology. As an undergraduate, she pursued a wide variety of interests, including human nutrition and reproduction, gender and sexuality, health policy, and ethics. She was also involved in research in molecular nutrition laboratory and pediatric medical practice. She has been a rock-climbing instructor and teaching assistant during her college career. Her work over three years as a resident advisor in an all-women’s dormitory, specializing in sexual violence prevention and response, as well as semester developing an intervention for women experiencing intimate partner violence during the pandemic have reinforced her commitment to gender equity. The culmination of her experiences, both academic and personal, has informed the questions she hopes to ask during her time in India. She hopes to continue her work as a physician and global health researcher. Upon the completion of her Fulbright-Nehru Fellowship, she plans to pursue graduate study in both medicine and public health. Her interests include running, rock climbing, yoga, and Hindustani classical music.

COVID-19 has had a well-defined impact on sexual and reproductive health services in India, but little is known about the intentions and behavior that underlie the needs for those services. During her Fulbright-Nehru project, Ms. Pandit is designing a qualitative study about how the pandemic has affected people’s desire for parenthood in the short- and long-term. She plans to conduct semi-structured interviews and focus groups with people of reproductive age, mainly women. Through this project, she hopes to learn more about how this global catastrophe has influenced norms, expectations, and concerns about having children, and to inform India’s family planning landscape as a whole.

Calvin McCormack

Mr. Calvin McCormack is a musician, audio engineer, and computer programmer from Baltimore, MD. He completed his undergraduate degree in Jazz Studies from the University of Michigan, where he focused on the intersection of jazz improvisation and non-western musical idioms. During this time, he spent two months in Mysuru studying the Saraswathi Veena. He is also a recent graduate of Berklee College of Music, where he received his master’s degree in Music Production, Technology, and Innovation, with an emphasis on the use of bio-sensors and accessible interfaces in musical instrument design. As part of his thesis at Berklee, Mr. McCormack developed software that uses electroencephalogram (EEG) brainwave signals to control digital music generation and sound design. Since 2018, Mr. McCormack has been working with CED Society, a Dehradun-based non-profit dedicated to supporting women in the Himalayan border region. Together with CED Society, Mr. McCormack has helped launch the Sound of Soul Recording Studio and Music Institute, a nonprofit music education center and recording studio designed to empower disadvantaged and disabled women through music education, production skills, and creative expression. Mr. McCormack has also worked as an active musician, music instructor, author of music teaching materials, assistant at a digital fabrication lab, and spent two years as an assistant engineer at Radio Active Productions recording studio in Austin, TX.

Traditional musical instruments have been developed and refined over centuries, but digital instruments are a relatively new technology with great potential for innovation. Mr. McCormack’s Fulbright-Nehru project aims to design, develop, and test digital musical instruments that have been created specifically for people with disabilities in remote areas of northern India. The project is using bio-sensors, low-cost computers, and digital fabrication tools to create accessible musical instruments and is studying their efficacy in rural areas, resulting in an enhanced understanding of the design and production of affordable and accessible creative tools.

Christopher LaMountain

Mr. Christopher LaMountain is a graduate of Northwestern University, where he pursued a double major in Religious Studies and Music Performance Studies. After being awarded an Undergraduate Research Grant from Northwestern in 2018, Mr. LaMountain completed a multi-media research project comparing gynecological texts of Mediterranean Antiquity with Marian narratives of the New Testament Apocrypha. In the latter portion of his collegiate career, Mr. LaMountain conducted research on devotional music at seven of the eight continental Baha’i Houses of Worship as the 2019 Northwestern Circumnavigator grantee. Having sung in choirs and as a classically trained tenor soloist, Mr. LaMountain also sung with the musicians of Baha’i Temples around the world and subsequently produced his honors undergraduate thesis comparing the musical styles and presentation forms of devotional music at the different Baha’i Temples. With the help of his colleagues from the Bienen School of Music, Mr. LaMountain has also presented two concert lectures on his comparative Baha’i musicological studies, which featured musical excepts from his worldwide research trip. Interested in inter-religious musicology and cross-cultural studies, Mr. LaMountain has achieved proficiency in French, Italian, and Hindi, passed upper-level courses on various traditions of the major world religions, and studied musical traditions, such as Negro Spiritual, Western Classical, Hindustani, Ugandan traditional, and Nueva Cancion Chilena musical styles. Mr. LaMountain aspires to pursue a graduate degree in sacred music studies, become a religious studies and musicology professor, and continue singing in choirs over the course of his life.

With his Fulbright-Nehru project, Mr. LaMountain is both observing and participating in the process of devotional music making at the prayer services of the Asian Baha’i House of Worship, called the Lotus Temple. In comparing both these observed musical styles and presentational forms of the Lotus Temple with other faith spaces in Delhi, for example Akshardham and ISKCON Temples, Gurudwara Bangla Sahib, Myanmar Buddha Temple, and Moti Masjid, Mr. LaMountain is determining the manner in which local worship music from religious traditions outside of the Baha’i Faith influences intonation of the Lotus Temple.

Andrew Kerr

Mr. Andrew Kerr is currently pursuing a PhD in Anthropology. His research world revolves around questions of poetry, semiotics, emotion, and sociality. Meanwhile, his commitments and passions are to always be engaged in collaborative work that centers human dignity. Mr. Kerr is a previous fellow with the American India Foundation and Urdu language resident director in Lucknow for the South Asia Flagship Language Initiative. He holds a BSc in Physics from Austin Peay State University, an MA in Religious Studies from the University of Chicago, and is always seeking to learn more.

Mr. Kerr’s Fulbright-Nehru project engages contemporary poetry in North India as not only literature or art, but also as a medium of popular expression that carries affective force in the public sphere. This study is taking place in Delhi, Lucknow, and Mumbai to explore questions about the public sphere, publics, affect, and imaginations of being Indian. The highlight on Urdu poetry, especially, will address the dearth of ethnographic analysis in Urdu studies, while also bringing an extended study of Urdu poetry in India into the growing body of literature in the anthropology of poetry.

Christian James

Mr. Christian James is a PhD Candidate in Indiana University’s Department of Folklore and Ethnomusicology. His dissertation examines the role of musical performance in internationally funded human development initiatives operating within the Kangra District of Himachal Pradesh.

For over a decade, Mr. James has studied cultures and languages of North India with a special interest in folksongs of western Himachal Pradesh and Greater Punjab. He is proficient in four South Asian languages: Hindi, Urdu, Punjabi and the Kangri dialect of Western Pahari. He has received multiple awards and fellowships for language and area studies, including two Critical Language Scholarships. With support from the U.S. Department of Education and Indiana University’s Center for the Study of Global Change, Mr. James spent the 2021-2022 academic year enrolled as the sole student in the first ever Kangri language course offered through the American Institute of Indian Studies.

Alongside his dissertation topic, Mr. James’ research interests include language ideology, public folklore, and Indic musicology. In 2021, the Midwestern Chapter of the Society for Ethnomusicology awarded him the JaFran Jones prize in recognition of his paper, “Nādānusandhān: Sound Studies and its Lexical Genealogy in Hindi-language Music Scholarship.” Mr. James has worked as an Articles Editor for Folklore Forum, the open-access journal of Folklore and Ethnomusicology Publications (also known as Trickster Press). In 2020, he served Traditional Arts Indiana as a contributor and editor for Memory, Art, & Aging, a public-facing resource guide encouraging older adults and elder care workers to engage with folk and traditional arts.

Mr. James has maintained an abiding passion for music throughout his life. In 2014, he completed a Bachelor’s of Music degree in composition from Oberlin Conservatory. His compositions have featured in several international venues, including the Charlotte New Music Festival in North Carolina (2013), Dharamshala International Film Festival in Himachal Pradesh (2014), and the Syndicate for the New Arts in Ohio (2017). He has worked as a choral singer, music educator, and church music director in Ohio and Indiana as well as his home state of Michigan.

Mr. James’ Fulbright-Nehru project investigates the role of participatory song in the feminist social development work of Jagori Rural Charitable Trust, a non-governmental organization operating in the Kangra district of Himachal Pradesh. Through a combination of participant observation, recorded interview, and audiovisual documentation, Mr. James assesses the effects of collective singing on the delivery of the organization’s objectives concerning the social, economic, and political empowerment of women and girls. The final report documents and analyzes the organization’s total song repertoire, the effects of specific songs, and participants’ experiences of those effects through performance.

Yasaswini Iyer

Ms. Yasaswini Iyer is dual degree graduate with a Bachelor of Arts in Chemical Biology and an Master’s in Public Health from Case Western Reserve University (CWRU) in Cleveland, Ohio. During her time at CWRU she served as President and Advocacy Chair for Advocates for Cleveland Health (A4CH), a community based organization that addresses public health outcomes through education, advocacy, and volunteering. Ms. Iyer also served as the Vice President of Finance and Director of Academic Achievement for her sorority, Alpha Gamma Delta. She loved the process of teaching and mentorship throughout her academic journey at CWRU and served as a TA for an introductory biology class BIOL 215: Cells and Proteins and an introductory biochemistry class BIOC 328: Introduction to Biochemistry. She received the Outstanding TA award in 2021. Since her freshman year in college, Ms. Iyer explored her interests in research by conducting wet lab research in the Genetics Department at CWRU School of Medicine, Computational Biology research at Georgetown School of Medicine, qualitative survey analysis as a TA for BIOC 328, and Public Health research at the Harrington Heart and Vascular institute. Her diligence to science has awarded her presentations at several conferences and publications.

Ms. Iyer is also a company Bharatanatyam dancer at Natya Dance Theater based out of Chicago, IL. She has been dancing since she was five years old and has performed at several notable venues around the world including Millennium Park, Bharat Kalachar, Navy Pier, HI DC, and Brahma Gana Sabha to name a few. Ms. Iyer follows a plant-based diet and enjoys cooking and trying out new recipes in her free time.

Through her Fulbright-Nehru Fellowship, Ms. Iyer is conducting nine months of research assessing public perceptions and knowledge towards air pollution as a cardiovascular risk factor in India. Environmental factors are increasingly related to human health, especially hypertension. She hopes her project will eventually result in the design of culturally sensitive interventions contextualized across socioeconomic gradients. Ms. Iyer is situated in New Delhi, India and collaborating with the CCDC (Center for Disease Control). She is creating/administering questionnaires to probe the public perspectives on the relationship between the two variables. She is excited to engage with a healthcare system different from that of the U.S.

Rhône Grajcar

Mr. Rhône Grajcar graduated from Whitman College in 2021 with a Bachelor of Arts in History and South Asian & Middle Eastern Studies. At Whitman he explored South Asian religions and US foreign policy, culminating in eight months spent in India on a David L. Boren Scholarship. He has followed his interests to internships at the U.S. Senate Committee on Foreign Relations and the South Asia Practice at the Albright Stonebridge Group. He is eager to deepen his understanding of South Asia religions and contribute to the study of shrines during his Fulbright-Nehru grant.

Mr. Grajcar’s Fulbright-Nehru project involves ethnographic field work at Qutbuddin Bakhtiar Kaki Dargah in New Delhi and Dargah Yousoufain in Hyderabad, within the dargahs’ compounds. By engaging the dargah attendees in conversation, the project seeks to understand how COVID-19 and its impacts on daily life have affected the sense of community dargahs are renowned for. These shared spaces rely on crowded gatherings and communal food during langar to build their inclusive potentialities, which will present challenges in a post-COVID world. Situating the project in the understanding of dargahs as discursive, rather than fixed spaces, Mr. Grajcar hopes to help capture how these resilient institutions and their exploratory authority weather the disruptions of the pandemic.