Patrick Vogel

Patrick Vogel is an artist based in Los Angeles. Born in West Hollywood, he grew up acting on film sets and learned to transpose that collaborative spirit to his multidisciplinary path as a visual artist. Through sculpture, drawing, installation, and painting, he explores the inner and outer conditions of exhibition making in the twenty-first century.

Patrick’s transdisciplinary approach is unique, reflective of a conceptual practice grounded in site-specific research, happenstance, and an expanded art historical paradigm. His practice reveals power structures formed by particular stories that we tell ourselves, namely of imperialism, colonialism, and race prejudice, and the lethal epistemes branching out of them. His most recent work, the Hermit Series, takes on Roman and Gothic architectural forms, overlaid with photographs of palaces and royal doorways, which are then digitally carved, painted, and printed onto mirrors. Throughout, he deploys gesture and abstraction to produce an architectural palimpsest, a relic covered in futuristic cave paintings, which interrupts a clean reading of Western ideology as neutral, invisible, or inherent.

Patrick has traveled, taught, and lived across six continents. He received his BFA from Oregon Center for the Arts in Ashland, Oregon, and his MFA in art and technology from California Institute of the Arts in Valencia, California. He has been an artist-in-residence at the School of Visual Arts in New York and the Vermont Studio Center.

For his Fulbright-Nehru project, Patrick is studying British colonial architecture and native Indian architecture in Bengaluru, and developing a new series of installations in response. Through research and dialogue, he seeks to understand the varied epistemologies that became constructed public spaces in Bengaluru, spaces that owe its origins to different continents and cultures entirely. Through this project, he hopes for a broader perspective on global communities, how they interact, affect one another, and hybridize over time, and how we might, with clarity and focus, produce different spaces to better navigate the coming centuries. As part of the project, he is also a visiting artist-professor at Srishti Manipal Institute of Art, Design and Technology, where he is engaging with BFA/MA students in the Contemporary Art Practice program.

Shirley Kim-Ryu

Shirley Kim-Ryu is a filmmaker and poet based in Los Angeles and Seoul. By oscillating between genres and mediums, Shirley’s work generates an energy of the primordial, deeply rooted in improvisation, chaos, and arriving in land-based rituals and practices.

A recent poetry fellow of the VONA (Voices of Our Nations Arts Foundation) workshop, the Juniper Institute for Young Writers, and the Disquiet Literary Program, Shirley holds an MFA in film direction (from UCLA) and an MFA in poetry (from California Institute of the Arts), and has been the recipient of the 2022 LEF Moving Image Fund, the Fritt Ord Fund, the Nordisk Kulturfond OPSTART, the Vikken Fund, the Norwegian Film Institute Award, the James Bridges Award in Film Directing, the Hollywood Foreign Press Award, and the Mary Pickford Award. Shirley’s films have been screened in international film festivals.

Shirley is a co-founder of the LA-based Solano Film Collective which creates various forms of films, including in collaborations with LA-based arts organizations like Archeffect Design, MOCA, and Clockshop.

Shirley’s Fulbright-Nehru research project involves working in kinship with the lived culture of the ritual dance theyyam in Kannur, Kerala. In the context of an intersection between Korean and Indian indigenous spirits, she is exploring artistic inquiries and getting closer to a deeper understanding of artistic roots and their identity in multiplicity. In this regard, she is seeking answers to questions such as: how does theyyam process the idea of gender in the language of nature; how does it function in the community to serve its members; and how has it digested the communal blues caused by colonialism, class, and patriarchy?