Performing Arts Archives

Akhila Vimal Chenicheri

Dr. Akhila Vimal Chenicheri is a trained dancer, and a Performance and Disability Studies scholar. She completed her PhD in Theater and Performance Studies at the School of Arts and Aesthetics, Jawaharlal Nehru University, New Delhi. Her thesis was titled ‘Performing Disfiguration: Pain, Affect and Staging of Relationalities in Classical and Ritual-Healing Performances of Kerala’. She obtained her master’s and M Phil degrees from the School of Arts and Aesthetics, Jawaharlal Nehru University, New Delhi, in 2012 and 2014 respectively, and has a B A (English) from Maharajas College, Ernakulam, Kerala .

As a trained dancer who identifies as disabled, owing to partial and recurrent vision loss, Dr. Chenicheri’s research is located at the intersection of performance and disability and disabled dance pedagogy. Methodologically, she is committed to ‘Practice as Research’ and her research interests include disfiguration, relationality of disability, gender, and caste in the Indian textual and performance practices and ritual performances. This research has appeared in peer-reviewed journals and edited volumes. In 2021, she received the inaugural International Federation of Theatre Research New Scholars Award in Disability Performance. Akhila has been a fellow at the prestigious Mellon School of Theater and Performance Research funded by the Andrew Mellon Foundation at Harvard University in 2016.

Her Fulbright-Nehru Postdoctoral Research project is to develop a practice- led dance pedagogy for blind and low- vision performers. The pedagogy aims to collectively initiate collaborative learning through somatic engagement with blind and low- vision performers, including the cultural unlearning of the expectations that come with dance training and sensibility.

Sharmistha Saha

Sharmistha Saha is assistant professor of Performance Studies at the Department of Humanities and Social Sciences, Indian Institute of Technology Bombay, Mumbai. She completed her PhD from the Department of Philosophy and Humanities at the Freie Universität, Berlin, Germany. Erasmus Mundus followed by the German Research Foundation (DFG) funded her doctoral study. Later, she was a DFG postdoctoral fellow at Dahlem Research School, Berlin, Germany. She has been a UGC Junior Research Fellow at the School of Arts and Aesthetics, Jawaharlal Nehru University, New Delhi. In the past she has been a Becas MAEC-AECID fellow at the Universidad de Granada, Spain. Her research interests include theatre historiography, performance philosophy, colonial theatre, theories of acting, aesthetics and politics, archive and the arts and critical theory. She is the author of Theatre and National Identity in Colonial India: Formation of a community through cultural practice (Springer/Aakar, 2017). Sharmistha is also a theatre practitioner and some of her directorial work includes ‘Playing to Bombay’ co-created with Sunil Shanbag, ‘Her Letters’ commissioned by the Tagore Centre in Berlin, ‘Romeo Ravidas aur Juliet Devi’ amongst others. She most recently was part of the international inter-medial project ‘Elephants in Rooms’ facilitated by the German-UK based Gobs Squad Arts Collective. She has closely worked with the theatre stalwart Eugenio Barba and his company Odin Teatret in Denmark.

During her Fulbright-Nehru Research Fellowship Sharmistha will be working on the project ‘Community identity, cultural performance and value: politics of intercultural exchange between the ‘west’ and postcolonial India’ at the TISCH School of the Arts, New York University. Her work will focus on politics of community identity, cultural performances as inheritance and its associated value in the context of ‘intercultural theatre’.

Sumeet Anand

Dr. Sumeet Anand is a performing vocalist of the extant form of Hindustani classical music, Dhrupad. He is also a methodical teacher and a meticulous researcher, a distinguishing combination. He received early training from his grandfathers (including noted vocalist Pandit Siyaram Tiwari) and advanced his skills under the tutelage of Pandit Abhay Narayan Mallick of Darbhanga-Mallick Dhrupad tradition.

A familiar name in major music festivals across India, Dr. Anand also broadcasts from AIR, Delhi. He is an empaneled performer with ICCR and has toured extensively across Europe. He has delivered lecture-demonstrations at UCLA, NID Haryana, NSD, and IHC New Delhi. He received fellowships from the Government of India and the Government of Delhi, and completed his research on Dhrupad, it’s evolutionary history and pedagogical shifts.

During his Fulbright-Nehru Academic and Professional Excellence Award (Research and Teaching) fellowship at the University of California, Los Angeles, CA, Dr. Anand is sharing the theoretical and practical aspects of Hindustani classical Dhrupad with his students. The fellowship will enable him to be a part of a truly global music community chance, and get introduced to music genres like jazz, western classical, African, Thai, and Turkish music traditions which will be an enriching experience for his artistic development. He will also be undertaking minor research under Prof. Anna Morcom on the evolving performance repertoire of Dhrupad.