Pamela Lothspeich
| Grant Category: | Fulbright-Nehru Academic & Professional Excellence Award (Research) |
| Project Title: | Raslila: The Play of Lord Krishna |
| Field of Study: | Area Studies |
| Home Institution: | The University of North Carolina at Chapel Hill, Chapel Hill, NC |
| Host Institution: | Jawaharlal Nehru University, Madurai, Delhi |
| Grant Start Month: | February 2024 |
| Duration of Grant: | Four months |
Brief Bio:
Dr. Pamela Lothspeich is associate professor of South Asian studies at the University of North Carolina at Chapel Hill where she has been teaching since 2008. She is a literary scholar and cultural historian whose work intersects with epic studies, performance studies, gender studies, and postcolonial studies. She has published extensively on modern iterations of Indian epics, particularly as they appear in Hindi literature, theatre, and film. Her previous research project was on the Radheshyam Ramayan and the theatre of Ramlila. Her books include Epic Nation: Reimagining the Mahabharata in the Age of Empire (OUP, 2009) and the co-edited volume, Mimetic Desires: Impersonation and Guising across South Asia (University of Hawai‘i Press, 2022). She has also guest-edited the special issue, “The Field of Ramlila”, in the Asian Theatre Journal (Spring 2020).
Formerly, she taught at Michigan State University (2004–08) and Chicago University (2003– 04). She holds a PhD in South Asian studies and comparative literature from Columbia University (2003) and an MA in Asian languages and literature from the University of Washington (1996).
Dr. Lothspeich’s research project is on Raslila, an Indian performance genre spanning theatre, dance, music, and ritual, which enacts stories about the Hindu god Krishna and the goddess Radha. Many stories in the tradition emphasize Krishna’s youthful antics and loving interactions with his devotees. Raslila is related to other forms of devotional theatre, especially the Ramlila centered on the Hindu god Ram. This project aims to provide fresh insights into Raslila in all its material social, political, and aesthetic contexts, and also into its intertwined history with Ramlila.